May. 23rd, 2016

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Blight Dryad

Description:

A blight dryad is a wretched creature that results when a dryad is corrupted by the Shadowfell or killed by necromantic blight. Blight dryads hate everything green and growing, and have a passionate antipathy for the living, particularly elves and fey creatures.

 

 

 

Originally published at Blue Author Is About To Write. Please leave any comments there.

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The Daily Report

Well, the end of last week and this past weekend were… interesting. I made some plans, got some perspective, and took a few steps. I have a fundraiser specifically for the purpose of getting myself and Jack to WorldCon, and its first day, it brought in enough for us to buy plane tickets (the most time-critical element of the expenses) as soon as the withdrawal clears. Every $150 thrown into the pot will net a new satirical piece along the lines of my popular Sad Puppies Review Books features. The first one, a SPRB treatment for Mike Mulligan and His Steam Shovel, went up over the weekend. I’ll be doing the remainders about one a week.

I’m kicking around ideas for my next satire, but the Mike Mulligan review may wind up counting for this week, as we leave for WisCon the day after tomorrow. The con doesn’t actually start properly until Friday, although there are some kick-off events on Thursday. So why Wednesday? Well, last year, I screwed up the dates when I was buying plane tickets and only noticed the day before our flights that they were a day earlier than our hotel reservations. So we had a frantic scramble to get ready and to find accommodations… but when all was said and done, we found it was less stressful to do it that way then to travel and not have a full day to recover, rest, and decompress before we start socialing and doing things. Also, the further our travel is away from the actual weekend, the easier a time we have with the airports. It does add to the expense of the thing, but in years that we can all go, WisCon basically winds up being our big blow-out.

In some ways, it’s my usual impeccably terrible sense of timing that I’m gearing up to kick hindquarters and take names right before we have to leave, especially since the con tends to wipe me out, physically and emotionally. I’m also bad at calendars. When I started planning, I managed to simultaneously convince myself that the con was both further away in the future, and also further from the end of May. It only just now hit me that June 1st is the day after we get back, and not a week after that. Oops.

Oh, well. You know what? I have never felt as good going into the con as I do this year. My physical health is better than it’s been in my adult life. So full speed ahead and dang the torpedoes. We’re doing this. MU updates still resume June 1st, and the beginning of June is still when I kick all my plans into high gear.

One of the things I did last week was split my Patreon into two, one for “support Alexandra Erin the author” on a monthly basis and one for “support Tales of MU” on a per-update basis. The MU one is currently at $35, which amounts to something around a penny a word… not the best rate, but a good start. My secret inner benchmark for MU being worth it to keep writing has always been $50 a chapter, so that’s what I really hope to see as a baseline, but I completely understand it not being there before I’ve even started updating again. At this point there aren’t even links on the MU website that point to the new Patreon.

The personal Patreon attracted some new patrons but the number of patrons and monthly income more or less stayed the same, as older supporters who are only or mainly interested in TOMU took the opportunity to make that officially clear. I kind of expected that. the The fact is that if both campaigns gain or lose no one between now and the end of June, I still stand to make substantially more money from that month than I am this month, because the MU campaign is based on number of updates.

I plan on growing the MU Patreon by proving its value with quality and consistency of updates. Proving the value of the author one is going to be a little trickier. The most successful crowdfunding campaigns for authors are from ones who have the kind of large established following that is easier to build if you achieve success in traditional publishing. I am in the weird but not necessarily bad position of having done more recently to impress my fellow authors than my fellow readers.

So my immediate plan to “prove my brand” as an author is to, in the run up to the end of the month, re-publish one of my favorite short stories or similar works of mine a day, with a link to my author Patreon at the end.

This way I can show people what they’d be supporting, exactly, and what they’d be getting in return.

The State of the Me

Doing good. I think I mentioned I had a terrible insomnia episode going into Friday. I slept well over the weekend, though I paid for the missed sleep pretty dearly.

Plans For Today

Okay, if you were paying attention to the long and meandering daily report, you might have noticed I have a plan to re-publish eight short stories between now and the end of the month, and that two days from now I am leaving on a trip that ends the last day of this month. This means that my main task for today is going to be selecting those eight stories and getting them queued up as posts.

 

Originally published at Blue Author Is About To Write. Please leave any comments there.

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I’d really like to thank a couple (I think, it seemed to be more than one but not by much) of anonymous/pseudonymous individuals who sent me disparaging messages over the weekend, trying to… well, actually I don’t know what they were trying to do. Disparage me, discourage me, stir up drama… some combination of all of the above? But I kept getting nasty messages referring to other authors running fundraisers or starting up Patreons right now, in a goading “Look how much better they’re doing than you are.” way. Some of them were encouraging me to give up, some were basically telling me I shouldn’t be “putting up with” or letting others “get away with” their success, whatever that means.

The thing is, I don’t find the success of other authors discouraging. I find it hugely empowering. N.K. Jemisin, a successful traditionally published author who I believe has been nominated for just about every major fantasy award, launched a Patreon campaign on Friday-ish in order to help her quit her day job and focus on writing.

This kid of thing happens because “successful author” does not necessarily mean “making enough money to live on”, no matter what your publishing model is. That discourages me. That makes me feel somewhere between defeated and fighting mad. But an author figuring out a better way to do things? That makes me happy. I mean, heck, it was knowing about this reality that led me down the road I chose in the first place.

Now, I know N.K. Jemisin personally, if not closely. We’re mutuals on multiple social media sites. We’ve met in person. It’s possible we’ve even shared a meal together, although I think it would have been a “push three or four tables together” kind of meal, which is part of why I’m not sure if we have or not. I don’t know if she’d call me a friend, but we’ve had nothing but friendly interactions. I admire her as a person and while I have bounced off some of her books, I love the ones that I got into and I recognize the quality of the ones that I didn’t.

So how could anyone be so petty as to imagine that I’d react to her great achievement with anything but, “Well, good for her!”?

I mean, I’m not just going “Good for her.” I’m taking notes about what she’s doing, and sharing my experience with the platform when she asks. To the extent that our paths overlap, we have a lot to learn from each other. I find her example inspiring not just because of her success, but because I’m watching someone succeed while making some of the same decisions that I’ve struggled with. So it’s like getting a vote of confidence by proxy. Yes, one short story in a month is plenty of short stories. Yes, relatively clean drafts are a fine standard for this sort of thing. Stuff like that.

I have a hard time convincing myself that any amount of work or effort is truly enough to show my value to the world, which makes it hard to muster the energy for any amount of work or effort. So seeing where other people set their benchmarks… well, you can’t live your life living up to other people’s examples, and you shouldn’t try. But it can be a good way to quiet down the doubts.

I think I’m supposed to be jealous because I’m re-jiggering my Patreon at the same time she’s launching, but as far as I’m concerned, we both had really successful weekends. My goal for the weekend was to get enough money to fly two people to WorldCon, and you know what? Mission accomplished. Now, I do also need to make more money on a regular basis, and I have plans to do so, but it’s a “one thing at a time” kind of deal. The plane tickets was a “money right now” situation. Patreon is a longer game, and now that the plane tickets are taken care of, it’s where my focus is going.

It’s no secret that I’m struggling financially, but it shouldn’t be a secret that my financial struggles have spun out of personal/emotional struggles that I’m now putting behind me. Another author’s success didn’t cause my troubles and another author’s success isn’t going to prolong them. I’m ready to start making real money again. And yes, the key word there is “again”.

All the anons who tried to discourage me by pointing to other authors living the dream did is remind me that eight years ago, I managed to get enough recurring income to quit my day job and focus on my writing, and I did it without Patreon. I did it before Patreon. I pioneered the kind of direct micropatronage for authors that Patreon enables, and if I didn’t get a lot of recognition for this… well, that’s partly because I’m an awkward self-promoter, but at the end of the day, I didn’t do it for recognition, I did it for money to live on, and I got that.

You know what the biggest amount of money I crowdfunded for my writing over a couple days was? I don’t know to the dollar and cent, off the top of my head, but it was… as they say dans la belle internet… over 9000. U.S. dollars, that is. Now, that was basically meant to cover several months’ worth of expenses projected backwards over time, but still. I did that. Me. Almost a decade ago. There was no Kickstarter. There was no IndieGoGo. There was no GoFundMe. There was just me rattling a cup, reminding people that I was doing work and that my work had value, and that I had expenses that needed to be covered for me to keep living and doing my work.

Back in the day, my example inspired Catherynne M. Valente to take a chance on crowdfunding and web-publishing her first …Fairyland… novel, which also became her first New York Times bestseller and is now a much-loved series. Before the web response proved that people would read it, it would have been a hard sell: a young adult novel written in a style emulating books for younger readers that is actually a spin-off of a very adult novel? Who would read that? The answer, it turns out, is everybody. The books are a legit phenomenon, an all-ages hit.

The other individual that my anonymous correspondents have tried to pit me against is Rachel Swirsky, who’s launching her Patreon with a fundraiser drive for Lyon-Martin health services through the one-two punch of offering a parody of what is possibly her own most famous work as an incentive for participation, and donating the first month’s proceeds to LM. I think it’s a great way to get people in the door, where they can see what she has to offer. I predict she’s going to get a lot of long-term patrons out of this short-term campaign, and even if she doesn’t… well, it’s a great cause, isn’t it?

The thing is, Rachel actually reached out to me for advice on this before she did it, though I was not in a place where I could offering any. I’m helping her out how I can now. At her invitation, I’m pitching in with one of her incentives, which seems like it’s going to be a lot of fun for everyone involved. I’m in a time crunch, but I have a sketch of a blog post I’ll be making about what she’s doing and why it’s important.

All of this is to say: (a small number of) people are trying to be jerks about crowdfunding, probably because they don’t like it when artists and creators they disapprove of find ways to make a living that they have no power to interdict. This is not new, any more than patronage itself is new.

And I’m a little grateful to the jerks because they forcibly reminded me that however I feel right now, I am not a failure. I have achieved great successes in the past, and there’s no reason to believe that I cannot achieve greater successes in the future.

Even more so, I’m grateful to the readers who have supported me over the years, those who circulated links and spread the word, those who pitched in their dollars and cents and the few individuals who have personally invested hundreds or even thousands of dollars in my life and career, and I am grateful to the writers and artists who have shared the bonds of respect, admiration, and friendship with me.

Originally published at Blue Author Is About To Write. Please leave any comments there.

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Hi, all! I’m Alexandra Erin, author, humorist, blogger, and poet. Like most people you know, I need food, shelter, and other products and services to live. Traditional publishing for authors is such a crapshoot when it comes to actually making a living that even most big name successful authors give advice like “have a second job” or “marry someone rich” when asked the best way to do it. I recognized this years ago, and so resolved to forge my own path.

I was not just crowdfunding before it was cool, I was crowdfunding before there was a name for it, or convenient tools that automate the model. I’ve had a number of successes over the years doing things my own way. Now I’m focusing my efforts on Patreon in a big way, and I’m asking you to join me.

As blessed as I have been, the authors who do best in crowdfunding are usually those who have the exposure that comes from a successful career in traditional publishing. They have a following. They have a reputation for quality. They have a large fanbase ready to leap at the ability to pay them directly for their work instead of filtering their gratitude through a large and somewhat inefficient machine.

I’ve already made a name for myself as a social media commentator, blogger, and satirist. Starting today, I’m going to be making a name for myself as an author. Here, on my blog, I’m going to be sharing one previously published short story a day, every day, until the end of the month. If you support me on Patreon, you will get to read a brand new story like these each month, most months (allowing for the vicissitudes of life). The money you pay will support me in being able to continue writing the fiction, satire, and commentary that you enjoy.

Today’s selection is the first full-length story I ever submitted for publication, to a zine called The Edge of Propinquity, which published it in April 2007. This now-defunct zine was the original home of Seanan McGuire’s Sparrow Hill Road, a variation on the phantom hitchhiker story. If you enjoy it, please consider showing your gratitude either by pledging support for further writing, chucking something in the tip jar, or even just spreading the word. Share the link, tell people you enjoyed the story, review it on your blog.


I Do Not Fight Monsters

By Alexandra Erin


My name is Gemma Saunders, and tonight, I’m putting a vampire to rest.

To be clear, I’m not a hero. I don’t have special powers. I don’t fight the monsters. I’m just a grief counselor. My training is in helping people say good-bye when the ones they love are gone.

How did I come to be standing in a graveyard at sundown, about to confront the undead with a priest and a sheriff for backup? It sounds like something out of an action movie, or at least someone else’s life. The answer’s surprisingly mundane. That doesn’t stop me from asking myself the question, though. This doesn’t seem like a job for someone like me.

It started in the second year of my practice, when I first became aware that the world is not entirely as advertised. One of my clients, Mr. Applethwaite, seemed to be having an extremely difficult time letting go of his departed wife, to the point where he wasn’t sure that she was entirely departed. I agreed to meet him at his house, thinking I could show him how his imagination was running away from him. But if it was, then it was running away from me, too.

So, it turned out there really was such a thing as ghosts. Who knew?

After a relatively brief and dignified period of screaming, I realized I could still help. What was a ghost, after all, but somebody who had unresolved issues with death, problems letting go? So, I helped the late Mrs. Applethwaite through her grieving process and poof!

Gone with the wind.

Every ghost wants something. Sometimes they want attention. Sometimes they just want someone to listen. Sometimes they need somebody to tell them that everything’s going to be fine and they should just head for the light.

I never feel comfortable telling somebody that. How do I know it’s true?

But I do have the numbers of a few very understanding priests in my Rolodex. They have no problem saying so.

I don’t do enough “spooky business” that I can quit my regular practice. How do you let potential clients find you without the rest of the world thinking you’re nuts? The internet’s been a real blessing in that department. I’ve found that if you don’t intentionally list your website anywhere, and don’t take out any advertising, then the only people who find you are the people who think to look for you.

Most of the people who find my site are looking for an exorcist, but I provide a more humane alternative. I’ve learned it is possible to force a spirit out or even “dissolve it” (whatever that means) through rituals and strength of faith or what could only be called magic. But that seems like a harsh way of dealing with somebody’s wife or mother, doesn’t it? It’s hell on the survivors, too.

Also, I charge less than a professional exorcist. More than my usual hourly rate, of course. But it’s specialized work.

So, how did this unorthodox but effective ghost busting business lead me to be standing in a rural cemetery at sunset, accompanied by a cop, a priest, and a wailing middle-aged woman? Well, after learning that ghosts are real, it should have come as no great surprise that certain other “things that go bump in the night” have a verifiable physical presence in our world, too.

Yeah. It should have, but it didn’t. My first demon caught me by surprise. So did my first vampire. Turns out, it’s easier to mistake those things for ghosts than you might think.

If a body is interred in holy ground, it cannot rise as a vampire. For a mythological being, that’s pretty simple mytho-logic.

But that doesn’t mean the dead body won’t become a vampire. Just that it can’t rise.

Instead, it spends the day trapped in unimaginable agony, and at night, its spirit (or whatever vampires have that make them a vampire) rises up out of the ground all mist-like as a specter.

The specter is bound to the vicinity of its grave, though as it kills and feeds, it gains strength. And range. And eventually it’ll either be able to enthrall some poor sap and get its grave dug up, or it’ll grow strong enough to break out of the ground itself. That’s especially likely if the land’s not particularly consecrated in the first place.

Municipal graveyards are the worst in this respect. Private family plots and Catholic cemeteries tend to be the best. The Catholics love them some ritual.

I don’t know all this from personal experience, by the way. As I said, I don’t fight the monsters and my usual plan for dealing with vampires is to avoid them. But once I first dipped my toe in to the occult, I started noticing other things, and weird people with even more hidden knowledge kept coming my way. Kind of like how when you learn a word for the first time, and then it seems like you see it everywhere.

Anyway, I plan to avoid the issue of graves entirely by having my body cremated. I think it would be mandatory, except then the people in charge would have to tell everybody else what they know.

So, the upshot is that a specter isn’t quite as dangerous as a full-fledged vampire, especially if it’s never managed to lure somebody close enough to feed. At that point, the thing’s almost literally stuck with “one foot in the grave”. As far as I knew, the specter of Mrs. Annabelle Murray hadn’t gotten to anybody, but I was playing it safe. We showed up before the sun set and Father Mike, my bona fide priest, immediately made a circle of consecrated host around the grave and then set his stuff up a good fifteen yards back from that. Just close enough that we could be sure the specter would manifest. The rest of us were behind him.

Holy water would have worked just as well, and with less protestation from the padre, but I like a line that everybody could clearly see. A line I could point to and say, “Do not cross.” It wasn’t my idea to have anybody here but me and the priest. Well, I would have preferred it was just him, but I was collecting for the job so I had to make sure it was done right.

The situation was this: a vampire had run amok in the small town of Fabersville a short time ago, and while somebody had eventually dealt with it, one of its first victims had gone unnoticed and was buried without any of the prescribed “treatments”. Because the experience left the whole town a little wary of graveyards, nobody immediately noticed the specter of a 73-year-old grandmother. It was her daughter, Mrs. Anne Murray Schneider, who made the discovery.

Rather than having her saintly mother’s body dug up, decapitated, and burnt. And sparking a panic in the process, she sought out an alternative solution, and found me. I had a cleaner, friendlier solution: have a priest repeat the funeral mass in the specter’s presence. The mystic types believe that it’s some spiritual component of the prayers that forces the unholy presence out. Maybe it’s my professional bias, but I believe this just reminds the human component that it’s supposed to be dead and so it lays down quietly. Either way, it seems to work, especially when the subject was known to be devout in life, as Mrs. Murray was.

The only wrinkle was that Mrs. Schneider insisted on being there. She was the one signing my paycheck, so I couldn’t refuse her. I wasn’t too thrilled when she showed up with Sheriff Henry Hascomb at her side, either.

“It only seemed right to let the authorities know,” had been her explanation. Me, I had a hard time thinking of a county sheriff as the authorities. The authorities were grim, efficient men with matching suits, sunglasses, and personalities. If a supernatural problem was bad enough that they had to intervene, they’d come in and clean the situation up, and next year Rand-McNally would be selling a map with one less dot on it and nobody would ask why.

But the sheriff had been the one responsible for dealing with the vampire that caused the present situation, so I wasn’t entirely against his presence. I wasn’t entirely for it. Father Mike I could trust not to do anything fatally stupid. The daughter of the person whose face the specter was using, though? I have to admit, I was a little less sure about her. The sheriff’s simply an x-factor to me. Who knew how he’d react if things took an unexpected turn?

And that brings us up to the here and now.

“You sure this’ll work?” the sheriff asks me dubiously. The sun is fast sinking from sight.

“The ceremony or the circle?” I ask.

“Both.”

“The circle, definitely. If the ceremony doesn’t, nothing will stop you from coming back in the morning and doing the usual thing,” I say. I don’t elaborate, but Mrs. Schneider wails louder, anyway. “It won’t be able to cross the ring of hosts, and as long as nobody gets within arm’s length of that line we’ll all be safe as houses.”

“So it can reach across?” he asks me.

“I’m not sure,” I admit.

“Seems like it would be a good thing to know.”

“I’ve never been curious enough to find out,” I tell him.

Father Mike is watching the skyline. “Should I begin?” he asks when the last sliver of the red disk disappears.

“Let’s wait until our guest of honor makes her presence known,” I say. If it doesn’t work, I don’t want to spend the rest of my life wondering if it’s because the specter showed up halfway through the prayers. I don’t say that out loud, of course.

We don’t have long to wait. The cemetery is on a hill, and the fog which settled on the surrounding land starts to creep upwards, settling around us. It’s eerie as hell, but it’s just set-dressing.

The real show begins when fog of a thicker sort begins rising from the bare, hard earth in front of Mrs. Murray’s tombstone. The grass doesn’t always wither and die over a vampire’s grave, by the way, but it’s still a decent warning sign. I’ve seen exactly four specters before. One of them made its entrance with a fully formed ghostly hand rising up out of the earth followed by an arm and the rest of it. Very theatrical. The other three rose vaporously and then coalesced into a human-like form. Mrs. Murray’s specter did that, as well.

I watch her rise, but I try not to look too closely at the image that forms. She looks, appropriately enough, like somebody’s grandmother.

It, I mean. Not she. The specter is not a person.

I signal to Father Mike, who lights his censer and then begins reading. We’d talked about this before and decided it was best to just plow through it. The more time Mrs. Schneider had to spend in the presence of the specter, the worse it was likely to be for her. And the more dangerous for the rest of us. She could grieve later.

The specter of Mrs. Murray shows delight at seeing us arrayed all around us, but the kindly old woman’s face twists into a mask of inarticulate rage when it encounters the barrier presented by the circle. It claws at it like it’s a physical wall, pain and want etched over its increasingly inhuman features.

Henry undoes the snap on his holster.

Father Mike begins chanting louder and faster.

Mrs. Schneider makes a weird strangled sort of cry.

“That’s not your mother,” I tell her as firmly as I can, but she doesn’t look convinced.

“You have to be strong, Anne,” Henry tells her. “Your mother would want you to be strong. We’re doing this for her.”

That’s when the whole thing goes downhill faster than urine flows down a pant leg (and I swear that metaphor came out of nowhere.) None of the specters I’ve dealt with have been able to speak. I’ve never heard of one that could before it tasted blood. Somehow, this one finds its voice.

“They’re hurting me,” it croaks in a very small and faraway voice that somehow carries all the way to us.

Everybody freezes. Wouldn’t you know it; it’s Mrs. Schneider who snaps out of it first. She darts past us, shoves Father Mike I watch him fall backwards over his little tripod censer. I see his head hit a tombstone with a meaty thwack. I watch Mrs. Schneider running towards the waiting, eager arms of the specter, crying “Mommy!” all the while.

I unfreeze.

“Shoot her!” I yell at Henry, who already has his gun in his hand. I scream it; in fact, in the embarrassing scream-yourself-hoarse-before-you-even-start-screaming voice most of never use after the time when we’re twelve and we tell our parents we hate them. “Shoot her! Shoot her!”

The stupid ass shoots the specter. The specter! He empties his clip uselessly into the swirling fog. I don’t count the shots. I don’t even know how many a gun like that would hold. I don’t fight monsters. I only know it’s empty because he keeps pulling the trigger and nothing else comes out.

As Mrs. Schneider kicks up gravel and leaves with every footfall, it’s pointless to hope she’ll somehow neatly step across the outside of the circle. No, she plows a big hole in the line of little white disks, which is all the specter needs to leave its grave and come after us. That, and a little blood.

There’s a theory I’ve heard that new vampires go after their own family members first because blood that is of their own blood gives them more power. Once again, I don’t know for sure and I’m not feeling experimental. After it has its initial taste, it’s got a choice between two victims who are already down and not going anywhere, and two that still have the potential to get away.

When Henry sees me take off running, he comes to his senses and takes off himself. He’s a little bit faster than me. Then I catch the toe of my boot on one of those stupid marble plaques that everybody uses now, and he becomes a lot faster than me.

“Wait!” I yell. “Wait!”

He stops and turns back, a sheepish look on his face. I limp-stagger-run up to him. He offers me his arm.

Survival Rule #23: When you and a friend are running from a ravenous beastie, you don’t have to outrun the beastie. You just have to outrun the friend.

Henry Hascomb isn’t even my friend.

I kick him in the groin and shove him aside, then hobble as fast as I can down the hill. He screams at me, and then, he’s just screaming, but it’s okay because I’m at my car. For one stupid moment I slap my pockets to find my keys before I realize they’re already jangling in my hand. It’s all a blur after that. I just drive.

I drive until the sun comes up, then I stop at the side of the country highway and sit there, shaking. I have no idea where I am. The gas light is on and I have no idea when I last passed a gas station or where one will be coming up. My brain can’t convince my hands to let go of the wheel. I’m going to have to call somebody, I know. I’m going to have to find somebody who can deal with the thing, now loose in the cemetery. And the bodies it will have hidden away as safely as it can; the bodies that will soon be corporeal vampires.

Did it get enough power from three victims to break out of the ground itself?

Or will it have to wait until the others rise to help it?

I don’t know. Somebody will have to find out, though.

For now, I think I’m just going to pass out.

I’m not a hero. I don’t have special powers.

I do not fight monsters.


This story along with two others in my patron preview line-up may also be found in The Lands of Passing Through, a short story collection available as a DRM-free ebook on Amazon Kindle, Nook, and as a multi-format bundle directly from the author.

If you enjoy this story, your sponsorship could help produce more like it.

Originally published at Blue Author Is About To Write. Please leave any comments there.

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I have spent most of today sorting and collating stories to try to come up with a tentative “best of” list, with things of short story length that can stand on their own. These will be posted from this blog’s queue at noon each day from now until the end of the month, as “I Do Not Fight Monsters” was posted today.

I wound up with eight of the required nine, inclusive of today’s. It was challenging in part because the largest single body of my work is serial stories, and while there are some excellent standalone stories in my serial universes, I did not want them to dominate things. So there will be two, maybe three stories from the Tales of MU universe (or MUniverse), though not ones that require knowledge or investment of the main ongoing story.

Interesting thing about how it shook out: while a few of the selections defy such easy categorization, it was about half modern supernatural/horror and half high fantasy.

The point of this exercise, again, is to give prospective patrons a clear idea of what I have to offer, fiction-wise. I’ve been getting a lot of note for my wit and my insight; not so much for my storytelling, and that’s going to change. I’m still shaping up my Patreon presentation to reflect this, but starting in June I’m going to be writing and sharing (under a patron-only lock, at least initially) a new short story every month. This is not going to be the extent of my writing activities, but I do think it’ll be a draw.

I chose today’s selection because it was my first full-length story I submitted for publication anywhere as an adult, and it was accepted on the first try. It also has another bit of “historical” significance: my now-boyfriend Jack read it aloud in one of his college classes, years ago, before we had ever even met in person. Surprisingly (or maybe not, as I actually am kind of a big deal), his professor was already familiar with me.

Anyway, if you want to see what I have on tap, just bookmark http://www.alexandraerin.com/category/patron-preview and check it every day in May. A new story goes up at noon, Eastern time.

Originally published at Blue Author Is About To Write. Please leave any comments there.

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August 2017

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